Titanic
Among so many other great landmarks in the history of rock & roll, the late ‘60s witnessed numerous technological advances when it came to recording and performing equipment, and, thanks in no small part to the emergence of Marshall amplifiers, the decade also gave rise to the era of hard rock and heavy metal. Power trios such as Cream, the Jimi Hendrix Experience, and the deafening Blue Cheer provided the initial thrust, but once the subsequent holy trinity of Led Zeppelin, Deep Purple, and Black Sabbath burst onto the scene, the hard rock virus really spread like a plague across the globe -- even into distant, chilly, staid Norway, from whence came the aptly named Titanic.
Founded in Oslo in 1969, Titanic was initially comprised of guitarist Janne Løseth, organist and bassist Kenny Aas, drummer John Lorck, and percussionist Kjell Asperud. But then, in a trend soon to be followed by a number of German heavy rock combos such as Lucifer's Friend, Blackwater Park, and Epitaph, Titanic hired a British-born singer and lyricist -- one Roy Robinson -- in an effort to raise their international prospects. The ploy worked well enough for Titanic to be offered a deal by the French office of Columbia Records, which duly released the band's eponymous debut later that same year, and later booked them to perform at the Cannes Film Festival's gala screening of the Woodstock motion picture. The members of Titanic then decided to switch their base of operations to the south of France, and perhaps it was the change of environment that helped broaden the band's musical horizons, leading to the incremental classical, jazz, and Latin music influences found on the band's 1971 sophomore album, Sea Wolf. In fact, its biggest single, "Sultana," openly referenced Santana and would go on to chart at number five in the U.K., paving the way for later experiments in this style like 1974's Brazilian music-inspired "Macumba" single. However, Titanic had failed to repeat their prior chart success in the interim, despite a strong showing on 1973's critically acclaimed, once again quite eclectic Eagle Rock (featuring new keyboardist Helge Groslie and bassist Arica Siggs), and appeared to be in creative decline by the release of 1975's surprisingly mellow Ballad of a Rock ‘n' Roll Loser -- their final effort for Columbia.
Titanic would nevertheless soldier on amidst occasional lineup changes and diminishing success throughout the rest of the decade, releasing a couple more albums -- 1977's Return of Drakkar and 1979's Eye of the Hurricane -- on independent labels, but ultimately falling into forgetfulness. Except for dedicated heavy rock fans, of course, who still rate the band's first efforts among the finest examples of proto-metal and heavy prog to emerge off the mainstream beaten path.
© Eduardo Rivadavia /TiVo
Ähnliche Künstler
-
Vidrio
Modern Jazz - Erschienen bei Unheard Of Hope am 20.10.2023
Pitchfork: Best New Music24-Bit 44.1 kHz - Stereo -
-
Sea Wolf
Rock - Erschienen bei Sony Music Entertainment am 05.12.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Eagle Rock
Rock - Erschienen bei Sony Music Entertainment am 05.12.1973
16-Bit CD Quality 44.1 kHz - Stereo -
Titanic
Rock - Erschienen bei Sony Music Entertainment am 05.12.1970
16-Bit CD Quality 44.1 kHz - Stereo -
Ballad of a Rock'n Roll Loser
Rock - Erschienen bei Versailles am 05.12.2016
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Ashes And Diamonds (Remastered)
Rock - Erschienen bei Repertoire Records am 18.01.2012
16-Bit CD Quality 44.1 kHz - Stereo -
-
Lover Boy
Hip-Hop/Rap - Erschienen bei 3338237 Records DK am 18.09.2023
16-Bit CD Quality 44.1 kHz - Stereo -
-
Double Time (10th Anniversary)
Metal - Erschienen bei Akhu music am 19.06.2023
24-Bit 44.1 kHz - Stereo -
Tiptoeing Thru The Trenches
Hip-Hop/Rap - Erschienen bei 3338237 Records DK am 10.07.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Metal Celebration (30th Anniversary)
Metal - Erschienen bei Titanic Metal Music am 01.06.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Getting Money
Hip-Hop/Rap - Erschienen bei M.I.G.'s Entertainment am 02.09.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Cali Breezin
Hip-Hop/Rap - Erschienen bei 3338237 Records DK am 24.12.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Learn More Tell Less Mixtape
Hip-Hop/Rap - Erschienen bei 3338237 Records DK am 11.04.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Hurt Badly
Alternativ und Indie - Erschienen bei ER Records am 13.09.2023
16-Bit CD Quality 44.1 kHz - Stereo -
-
Learn More Tell Less Volume 3 Winnin Side
Hip-Hop/Rap - Erschienen bei 3338237 Records DK am 12.03.2023
16-Bit CD Quality 44.1 kHz - Stereo