Lost Kings
Los Angeles-based EDM duo Lost Kings bring together woozy grooves, house influences, and more mainstream electronic styles to create a sound that has both the familiarity of pop and a distinctive party-starting energy. After first gaining some attention for their remixes of tracks by well-known artists like Halsey and Imagine Dragons, Lost Kings signed to RCA subsidiary label Disruptor Records and began releasing original material on a series of EPs that included 2019's Lost Angeles and 2021's It's Not You, It's Me.
DJs Robert Abisi and Nick Shanholtz bonded over a love of electronic music culture and their shared status as recent transplants to L.A. from the East Coast. In 2014, the two began making tracks together as Lost Kings, focusing prominently on remixes of other artists over original compositions. The act almost immediately drew major attention for unofficial remixes of tracks by artists such as Disclosure, the Killers, and Dirty South, gaining enough momentum to sign a management deal. In 2015, they released The Bad EP, followed the next year by companion piece The Good EP. Amid constant touring and ever-growing popularity, Lost Kings began receiving commissions for official remixes for bigger names. The year 2015 saw them reworking Tori Kelly's hit "Should've Been Us," and they released an official remix for Rihanna's "Work" single in 2016.
In addition to wildly successful remix work, Lost Kings also made it to the charts with their own compositions, including "Phone Down" featuring Emily Warren and early 2017's "Quit You" with Tinashé. They followed with "Look at Us Now" featuring Ally Brooke and A$AP Ferg, and "First Love" with Sabrina Carpenter. 2018 saw the releases of the singles "When We Were Young" featuring Norma Jean Martine and "Drunk as Hell" featuring Jesper Jenset, both of which appeared on the Paper Crowns EP in early 2019. Also that year, they issued a second EP, Lost Angeles. More stand-alone tracks arrived in 2020, including "Hurt" featuring DeathByRomy, "Oops (I'm Sorry)" with Ty Dolla $ign and Gashi, and "Mountains" featuring Masn. The 2021 EP It's Not You, It's Me saw the Kings expanding their style to include traces of emo-pop melody and songs built on guitar loops. The EP included guest features from MOD SUN, Ty Dolla $ign, Jordan Shaw, and others. In 2022, the group released the song "Under the Influence," again with guest contributions from Jordan Shaw.
© Fred Thomas /TiVo
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Paper Crowns (Deluxe)
Electronic - Erschienen bei Disruptor Records - RCA Records am 04.01.2019
24-Bit 44.1 kHz - Stereo -
First Love
Electronic - Erschienen bei Disruptor Records - RCA Records am 13.10.2017
16-Bit CD Quality 44.1 kHz - Stereo -
Me Myself & Adderall
Dance - Erschienen bei Disruptor Records - RCA Records am 09.07.2021
24-Bit 44.1 kHz - Stereo -
Too Far Gone
Electronic - Erschienen bei Disruptor Records - RCA Records am 07.06.2019
16-Bit CD Quality 44.1 kHz - Stereo -
When We Were Young
Electronic - Erschienen bei Disruptor Records - RCA Records am 11.05.2018
16-Bit CD Quality 44.1 kHz - Stereo -
It's Not You, It's Me
Dance - Erschienen bei Disruptor Records - RCA Records am 10.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Phone Down
Electronic - Erschienen bei Disruptor Records - RCA Records am 07.10.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Quit You (The Remixes)
Electronic - Erschienen bei Disruptor Records - RCA Records am 01.06.2017
16-Bit CD Quality 44.1 kHz - Stereo -
The Bad EP
Dance - Erschienen bei Spinnin' Records am 23.10.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Wonderlust
Dance - Erschienen bei Disruptor Records - RCA Records am 02.12.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Phone Down (Remixes)
Electronic - Erschienen bei Disruptor Records - RCA Records am 18.11.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Lost Angeles
Electronic - Erschienen bei Disruptor Records - RCA Records am 25.10.2019
24-Bit 44.1 kHz - Stereo -
Oops (I'm Sorry)
Pop - Erschienen bei Disruptor Records - RCA Records am 02.10.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Too Far Gone (Remixes)
Electronic - Erschienen bei Disruptor Records - RCA Records am 26.07.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Look At Us Now (Remixes)
Electronic - Erschienen bei Disruptor Records - RCA Records am 11.08.2017
16-Bit CD Quality 44.1 kHz - Stereo -
The Good EP
Dance - Erschienen bei Spinnin' Records am 11.03.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Save Me
Dance - Erschienen bei Disruptor Records - RCA Records am 16.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
I Miss The Future
Dance - Erschienen bei Disruptor Records - RCA Records am 28.05.2021
24-Bit 44.1 kHz - Stereo -
Runaway
Pop - Erschienen bei Disruptor Records - RCA Records am 04.12.2020
16-Bit CD Quality 44.1 kHz - Stereo -
You (feat. Katelyn Tarver) (The Remixes)
Dance - Erschienen bei Spinnin' Remixes am 18.01.2018
16-Bit CD Quality 44.1 kHz - Stereo -
Don't Kill My High (Remixes)
Electronic - Erschienen bei Disruptor Records - RCA Records am 22.03.2019
16-Bit CD Quality 44.1 kHz - Stereo