Laurie Johnson
Laurie Johnson is perhaps best known internationally for his title theme for the Diana Rigg/Linda Thorson seasons of The Avengers. He has also worked on dozens of feature films, including Stanley Kubrick's Dr. Strangelove, J. Lee Thompson's Tiger Bay, Ray Harryhausen's The First Men in the Moon, and Brian Clemens' Captain Kronos: Vampire Hunter. Additionally, in England he has been a recording artist specializing in instrumental pop music since the mid-'50s, and is one of the most highly regarded arrangers of big-band swing and pop music.
Educated at the Royal College of Music (where he later taught), he also began his career as an arranger and composer at age 19, working for Ted Heath and later with such bandleaders as Jack Parnell and Ambrose. In 1955, he began his recording career at Pye Records, a newly-organized business that became the home to artists such as Petula Clark and Lonnie Donegan, Tony Hatch, the Searchers, and the Kinks. During his first few years at Pye, most of Johnson's releases focused on recordings of pop standards arranged as dance music, along with his own original compositions. He also entered the movie industry in 1955, initially as an arranger and orchestrator, and quickly moved on to composition. Johnson got to work on the music for some very high profile films in the 1950's, most notably in association with director J. Lee-Thompson, including The Good Companions (1956), Tiger Bay (1957), and I Aim at the Stars (1960). The latter also marked Johnson's first occasion to work for producer Charles Schneer. During the early '60s, Johnson also served as an assistant to film composer Bernard Herrmann, who scored several of Schneer's films made in conjunction with special effects designer-producer Ray Harryhausen, including Mysterious Island and Jason & the Argonauts; when Herrmann declined to work for Schneer any longer because of what he considered the producer's inadequate fees, Johnson took over by writing the music for Schneer's production of The First Men in the Moon (1964).
A year later, Johnson's international breakthrough took place on British television when he wrote a new title theme for The Avengers. The series had already been on the air for four years, but was being revamped with a new leading lady (Diana Rigg) and a new look, and was being shot on film specifically for international distribution. It was Johnson's theme, with its opening trumpet flourishes and the strategic use of pizzicato strings, with which Americans first came to identify the hit series, and his music was retained when the series was revamped yet again after Rigg left the cast. He later composed the title music for The Professionals and The New Avengers, among other television series.
Johnson's work also extended to theater, with the music for Lionel Bart's Lock Up Your Daughters and a stage version of The Four Musketeers. The latter was written with lyricist Herbert Kretzmer, who has also collaborated with Johnson on an oratorio-style piece called The Glory Road, for band, chorus, solo vocalist, and narrator. His other concert works include a symphony, a pair of symphonic poems, and an RAF-commissioned piece celebrating the Battle of Britain entitled To the Few. Johnson has also co-produced several television series, including The New Avengers, and was involved in the scoring of the 1998 feature film The Avengers. During the mid-'90s, he also organized the London Big Band, which specializes in big band swing and pop music.
© Bruce Eder /TiVo
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Kpm Brownsleeves: Kpmlpb 20
Laurie Johnson, Ralph Dollimore, Kenny Graham
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1962
24-Bit 48.0 kHz - Stereo -
The Avengers 1968-1969 (Soundtrack from the TV Series)
Original Soundtrack - Erschienen bei Silva Screen Records Ltd am 08.08.2011
16-Bit CD Quality 44.1 kHz - Stereo -
The Musical Worlds Of Laurie Johnson
Jazz - Erschienen bei Avid Entertainment am 12.04.2005
16-Bit CD Quality 44.1 kHz - Stereo -
The Rose and The Gun
Original Soundtrack - Erschienen bei Fly Records am 01.01.1992
16-Bit CD Quality 44.1 kHz - Stereo -
Kpm Brownsleeves: Kpmlpb 34
Laurie Johnson, Raymond Jones, Mimis Plessas
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1965
24-Bit 48.0 kHz - Stereo -
Kpm Brownlseeves: Kpmlpb 25
Laurie Johnson, Ralph Dollimore
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1963
24-Bit 48.0 kHz - Stereo -
Captain Kronos: Vampire Hunter
Original Soundtrack - Erschienen bei BSX Records, Inc. am 14.09.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Captain Kronos: Vampire Hunter - Original Motion Picture Soundtrack
Soundtracks - Erschienen bei BSX Records am 14.09.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Kpm Brownsleeves: Kpmlpb 24
Freddie Philips, David Lee, Laurie Johnson
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1963
24-Bit 48.0 kHz - Stereo -
It Can Only Be
Original Soundtrack - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Kpm Brownsleeves: Kpmlpb 19
Freddie Philips, Derrick Mason, Laurie Johnson
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1962
24-Bit 48.0 kHz - Stereo -
Drum Crazy
Original Soundtrack - Erschienen bei Mile End am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Kpm Brownsleeves: Kpmlpb 30
Jazz - Erschienen bei KPM Brownsleeves Series am 01.01.1964
24-Bit 48.0 kHz - Stereo -
The Avengers - Theme from the TV Series (Laurie Johnson)
Soundtracks - Erschienen bei BSX Records am 01.01.1980
16-Bit CD Quality 44.1 kHz - Stereo -
Kpm 1000 Series: A History of War and Peace
Regimental Band of the Coldstream Guards, The Kneller Hall State Trumpeters, Laurie Johnson
Jazz - Erschienen bei KPM 1000 LP Series am 01.01.1973
16-Bit CD Quality 44.1 kHz - Stereo -
Drum Crazy
Original Soundtrack - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
We're Listening To Laurie Johnson, Vol. 3
Jazz - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
We're Listening To Laurie Johnson, Vol. 1
Jazz - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
The Good Companions (Original Motion Picture Soundtrack)
Laurie Johnson, Jill Day, Michael Holliday
Original Soundtrack - Erschienen bei Music Manager am 01.01.1957
16-Bit CD Quality 44.1 kHz - Stereo -
We're Listening To Laurie Johnson, Vol. 2
Jazz - Erschienen bei Diamond Days am 05.05.2008
16-Bit CD Quality 44.1 kHz - Stereo -
Music Of Bitter Harvest
Pop - Erschienen bei JB Production am 01.03.2023
16-Bit CD Quality 44.1 kHz - Stereo