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Harvey Averne|The Harvey Averne Dozen (Remastered 2024)

The Harvey Averne Dozen (Remastered 2024)

Harvey Averne

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Leading off with "Never Learned to Dance," one of his most frenetic singles, Averne certainly didn't let up for his second album. The opener is a great piece of boogaloo popcorn, with a background of punchy brass and wild-man electric piano solos. The first side of The Harvey Averne Dozen alternates vocal tracks (usually slow-dance period pieces) with some hot instrumentals, more in a funk vein than salsa. The album wins out with instrumentals like the original "Dynamite" and the Beatles cover "I Feel Fine," while the bland vocal tracks "Girl That I Love" and "Central Park" only succeed in dragging down the proceedings. The second side takes a slight dip in quality, with rote versions of "Goin' Out of My Head" and even "Lullaby From Rosemary's Baby." It's not an LP masterpiece by any means, but surprisingly good for the times.

© John Bush /TiVo

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The Harvey Averne Dozen (Remastered 2024)

Harvey Averne

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1
Never Learned To Dance (Remastered 2024)
00:02:57

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

2
Dynamite (Remastered 2024)
00:02:34

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

3
Girl That I Love (Remastered 2024)
00:03:08

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

4
I Feel Fine (Remastered 2024)
00:03:11

Marty Sheller, Arranger, Work Arranger - John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

5
Central Park (Remastered 2024)
00:02:29

Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Andrés Cruz, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Mariano Lanús, ComposerLyricist - Uriel Gerstein, ComposerLyricist - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

6
The Beat Goes On (Remastered 2024)
00:03:04

SONNY BONO, ComposerLyricist - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

7
Can You Dig It (Remastered 2024)
00:03:18

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

8
Accept Me (Remastered 2024)
00:02:46

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

9
Why Can't We Really Be Free (Remastered 2024)
00:03:01

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

10
Lullaby From Rosemary's Baby (Remastered 2024)
00:02:56

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist - Christopher Komeda, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

11
Goin' Out Of My Head (Remastered 2024)
00:03:13

Bobby Weinstein, ComposerLyricist - Teddy Randazzo, ComposerLyricist - Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist - Jerry Masucci, Producer, Recording Producer - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

12
Gotta Do My Number (Remastered 2024)
00:02:54

Marty Sheller, Arranger, Work Arranger - Richard Alderson, Recording Engineer, StudioPersonnel - Harvey Averne, Producer, Recording Producer, MainArtist, ComposerLyricist - Jerry Masucci, Producer, Recording Producer - Michael Fein, ComposerLyricist - Joe Tarantino, Mastering Engineer, StudioPersonnel

℗ 2024 Craft Recordings.

Album review

Leading off with "Never Learned to Dance," one of his most frenetic singles, Averne certainly didn't let up for his second album. The opener is a great piece of boogaloo popcorn, with a background of punchy brass and wild-man electric piano solos. The first side of The Harvey Averne Dozen alternates vocal tracks (usually slow-dance period pieces) with some hot instrumentals, more in a funk vein than salsa. The album wins out with instrumentals like the original "Dynamite" and the Beatles cover "I Feel Fine," while the bland vocal tracks "Girl That I Love" and "Central Park" only succeed in dragging down the proceedings. The second side takes a slight dip in quality, with rote versions of "Goin' Out of My Head" and even "Lullaby From Rosemary's Baby." It's not an LP masterpiece by any means, but surprisingly good for the times.

© John Bush /TiVo

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