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Paul Wee|Thalberg: L'art du chant

Thalberg: L'art du chant

Paul Wee

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International lawyer by day and piano virtuoso by night, Paul Wee made his recording début in 2019 with some of the most technically demanding piano music there is: Alkan’s Symphony and Concerto for Solo Piano. He now returns with music which presents a different, but not lesser challenge: how make the keyboard sing. The piano is by nature a percussive instrument – the sound is created by little hammers falling on strings. To create a true legato – or the illusion of it – has been the aim of generations of pianists, but few have taken the matter as far as Sigismond Thalberg. A giant in nineteenth-century pianism, Thalberg was born in 1812, the year after Franz Liszt, his greatest rival on the international concert circuit.
In comparison to the latter, Thalberg was often singled out for his ability to make the piano sing, an art which he himself highlighted in a collection of transcriptions aptly named The Art of Singing Applied to the Piano. Published between 1853 and 1863, the collection included Thalberg’s adaptations of popular arias by Bellini, Rossini and Weber and songs by Beethoven and Schubert, but also other vocal works, such as Lacrimosa from Mozart’s Requiem. This nowadays little-known but fascinating chapter in the history of pianism is presented by Paul Wee, together with a substantial booklet which includes his own liner notes as well as Thalberg’s foreword, with the master’s advice to those who want their keyboards to sing. © BIS Records

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Thalberg: L'art du chant

Paul Wee

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L'art du chant appliqué au piano, Op. 70 (Sigismond Thalberg)

1
No. 1, A te, o cara (After Bellini's "I puritani")
00:05:16

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]
00:05:30

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3
No. 3, Adelaide (After Beethoven's Op. 46)
00:06:32

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

4
No. 4, Pietà, signore (Attrib. Stradella)
00:09:14

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

5
No. 5a, Lacrimosa (After Mozart's K. 626)
00:03:48

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

6
No. 5b, Sull'aria (After Mozart's K. 492)
00:03:23

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

7
No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")
00:05:56

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

8
No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")
00:05:57

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

9
No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")
00:04:59

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10
No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)
00:03:18

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

11
No. 10, Der Müller und der Bach (After Schubert's D. 795)
00:04:33

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

12
No. 11, Schelm, halt fest! (After Weber's J. 277)
00:04:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
No. 12, Il mio tesoro (After Mozart's K. 527)
00:05:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

DISC 2

1
No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
00:04:02

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

2
No. 14, La dove prende (After Mozart's K. 620)
00:03:51

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3
No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
00:06:55

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

4
No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
00:03:43

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

5
No. 16b, Là ci darem la mano (After Mozart's K. 527)
00:03:36

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

6
No. 17, Sérénade (After Grétry's "L'amant jaloux")
00:03:22

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

7
No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
00:05:13

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

8
No. 19, Casta diva (After Bellini's "Norma")
00:06:22

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

9
No. 20, Voi che sapete (After Mozart's K. 492)
00:02:52

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10
No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
00:04:24

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

11
No. 22, Dafydd y garreg wen
00:03:21

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

12
No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
00:04:13

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

13
No. 24, Fenesta vascia (After Cottrau)
00:03:58

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

3 Mélodies de Franz Schubert, Op. 79 (Sigismond Thalberg)

14
No. 1, Täuschung (After Schubert's D. 911)
00:01:25

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

15
No. 2, Der Neugierige (After Schubert's D. 795)
00:04:12

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

16
No. 3, Die Post (After Schubert's D. 911)
00:02:21

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

17
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
00:03:03

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

10 Piano Pieces, Op. 36 (Sigismond Thalberg)

18
No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
00:03:53

Andrew Keener, Producer - David Hinitt, SoundEngineer - Sigismond Thalberg, Composer - Paul Wee, MainArtist, AssociatedPerformer

2020 BIS 2020 (P) BIS

Album review

International lawyer by day and piano virtuoso by night, Paul Wee made his recording début in 2019 with some of the most technically demanding piano music there is: Alkan’s Symphony and Concerto for Solo Piano. He now returns with music which presents a different, but not lesser challenge: how make the keyboard sing. The piano is by nature a percussive instrument – the sound is created by little hammers falling on strings. To create a true legato – or the illusion of it – has been the aim of generations of pianists, but few have taken the matter as far as Sigismond Thalberg. A giant in nineteenth-century pianism, Thalberg was born in 1812, the year after Franz Liszt, his greatest rival on the international concert circuit.
In comparison to the latter, Thalberg was often singled out for his ability to make the piano sing, an art which he himself highlighted in a collection of transcriptions aptly named The Art of Singing Applied to the Piano. Published between 1853 and 1863, the collection included Thalberg’s adaptations of popular arias by Bellini, Rossini and Weber and songs by Beethoven and Schubert, but also other vocal works, such as Lacrimosa from Mozart’s Requiem. This nowadays little-known but fascinating chapter in the history of pianism is presented by Paul Wee, together with a substantial booklet which includes his own liner notes as well as Thalberg’s foreword, with the master’s advice to those who want their keyboards to sing. © BIS Records

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