Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Brooklyn's Castle Rat vociferously inhabit their dark medieval fantasy world. With alter egos, costumes, masks, and faceprint more elaborate than most doom metal tribes, they also have more than a passing familiarity with the riffage of forefathers Black Sabbath. Their debut album, Into the Realm was recorded, appropriately enough, in an abandoned church in Philadelphia with decaying plaster and stained glass windows. It has a potent, hammering crunch thanks to engineers Davis Shubs and Thomas Johnsen, and yet the sonic sludge which makes many metal recordings unlistenable away from their stage shows is kept to a minimum. The vocals of frontwoman and songwriter Riley Pinkerton (The Rat Queen) soar on "Feed The Dream" as she queries, "Feed the dream through the night/Can it bleed, will it writhe?/ Move thine mouth, give a sign/ Tear the shroud, may I rise?" Her convincing delivery, complete with a fierce, pulsating vibrato reminiscent of Jefferson Airplane's Grace Slick, keeps Into the Realm from being parody. Lead guitarist Franco Vittore (The Count) has genuine chops and can rip off tight, cogent solos. When he digs into a riff on "Red Sands," supported by Josh Strmic's (The Druid) pounding drumming, the album shifts into a satisfying intensity. Featuring "Resurrector," basically a bass solo by Ronnie Lanzilotta (The Plague Doctor), as a separate track is a bold, and effective move. On the appealing original ballad "Cry For Me," Pinkerton conjures horror film imagery as negotiates wily melodic turns, taking her time belting out lines like "There's a red horse pawing at the door/ In the hurricane of hands that I've ignored/ I split myself six thousand times/To give you each a piece, so I can never die." Never just sludge for sludge's sake, Castle Rat make a convincing case that these rodents truly do rule a kingdom. © Robert Baird/Qobuz
More infoYou are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Castle Rat, MainArtist - Riley Pinkerton, Composer, Lyricist
2023 King Volume Records
Album review
Brooklyn's Castle Rat vociferously inhabit their dark medieval fantasy world. With alter egos, costumes, masks, and faceprint more elaborate than most doom metal tribes, they also have more than a passing familiarity with the riffage of forefathers Black Sabbath. Their debut album, Into the Realm was recorded, appropriately enough, in an abandoned church in Philadelphia with decaying plaster and stained glass windows. It has a potent, hammering crunch thanks to engineers Davis Shubs and Thomas Johnsen, and yet the sonic sludge which makes many metal recordings unlistenable away from their stage shows is kept to a minimum. The vocals of frontwoman and songwriter Riley Pinkerton (The Rat Queen) soar on "Feed The Dream" as she queries, "Feed the dream through the night/Can it bleed, will it writhe?/ Move thine mouth, give a sign/ Tear the shroud, may I rise?" Her convincing delivery, complete with a fierce, pulsating vibrato reminiscent of Jefferson Airplane's Grace Slick, keeps Into the Realm from being parody. Lead guitarist Franco Vittore (The Count) has genuine chops and can rip off tight, cogent solos. When he digs into a riff on "Red Sands," supported by Josh Strmic's (The Druid) pounding drumming, the album shifts into a satisfying intensity. Featuring "Resurrector," basically a bass solo by Ronnie Lanzilotta (The Plague Doctor), as a separate track is a bold, and effective move. On the appealing original ballad "Cry For Me," Pinkerton conjures horror film imagery as negotiates wily melodic turns, taking her time belting out lines like "There's a red horse pawing at the door/ In the hurricane of hands that I've ignored/ I split myself six thousand times/To give you each a piece, so I can never die." Never just sludge for sludge's sake, Castle Rat make a convincing case that these rodents truly do rule a kingdom. © Robert Baird/Qobuz
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:32:45
- Main artists: Castle Rat
- Composer: Riley Pinkerton
- Label: King Volume Records
- Genre: Pop/Rock Rock
2023 King Volume Records
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.