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Catherine Bott|Delectatio angeli: Medieval Music of Love, Longing & Lament

Delectatio angeli: Medieval Music of Love, Longing & Lament

Catherine Bott, Mark Levy, Pavlo Beznosiuk

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While a program of works for soprano plus a pair of fiddlers might seem unlikely to succeed with a larger audience, soprano Catherine Bott and fiddlers Pavlo Beznosiuk and Mark Levy, taking their performing repertoire from the twelfth through fifteenth centuries and their interpretative stance from pop music, make Delectatio angeli riveting from start to finish. Opening with Bott alone and very close to the microphone singing a doleful anonymous thirteenth century "Prisoner's Song" and followed by Beznosiuk and Levy overdubbed to create a fiddle octet playing a delightful anonymous thirteenth century "English Dance," the program immediately grabs the listener's attention and never lets go. Bott's voice is a powerful instrument and she's not afraid to use it. The disc bears the subtitle "Music of love, longing & lament" and Bott's performances are as much about expressing the meaning of the lyrics as the meaning of the music. Her interpretations range from the serene to the sensual to the hilarious and she is fully engaged -- and fully engaging -- in all of them. Beznosiuk, known for his recordings on period violin with the Hanover Band and the Monteverdi Consort, and Levy, known for his recordings on period violin with Philip Pickett and with his own Concordia Ensemble, perform superbly together either as a duo or as a trio with Bott. Recorded in Angel Studio, London, and produced by Steve Price, Hyperion's sound is distinctly different from its more classical releases, more experimental, more immediate, and much more intimate. While not for every classical listener, Delectatio angeli could succeed with a larger audience.

© TiVo

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Delectatio angeli: Medieval Music of Love, Longing & Lament

Catherine Bott

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1
Ar ne kuth ich sorghe non "The Prisoner's Song"
Catherine Bott
00:03:36

Traditional, ComposerLyricist - Catherine Bott, Soprano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

2
English Dance
Pavlo Beznosiuk
00:01:57

Anonymous, Composer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

3
O rosa bella
Pavlo Beznosiuk
00:03:40

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer - Johannes Bedyngham, ComposerLyricist

℗ 2006 Hyperion Records Limited

4
Can vei la lauzeta mover
Catherine Bott
00:07:16

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Bernart De Ventadorn, ComposerLyricist - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

5
Par maintes foys
Catherine Bott
00:02:51

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer - Jehan Vaillant, ComposerLyricist

℗ 2006 Hyperion Records Limited

6
Trop est mes maris jalos
Catherine Bott
00:03:30

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer - Etienne de Meaux, ComposerLyricist

℗ 2006 Hyperion Records Limited

7
Giunta vaga biltà
Mark Levy
00:02:37

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Francesco Landini, ComposerLyricist - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

8
Per quella strada
Catherine Bott
00:03:22

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Johannes Ciconia, ComposerLyricist

℗ 2006 Hyperion Records Limited

9
Una panthera
Pavlo Beznosiuk
00:03:46

Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Johannes Ciconia, Composer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

10
L'alta belleza tua, virtute, valore
Mark Levy
00:01:40

Guillaume DuFay, ComposerLyricist - Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

11
Helas mon dueil, a ce cop sui ie mort
Catherine Bott
00:03:16

Guillaume DuFay, ComposerLyricist - Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

12
Vergene bella, che di sol vestita
Mark Levy
00:04:13

Guillaume DuFay, Composer - Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer - Petrarch, Author

℗ 2006 Hyperion Records Limited

13
Le greygnour bien
Mark Levy
00:04:39

Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Matteo Da Perugia, ComposerLyricist - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

14
Four Planctus
Catherine Bott
00:15:56

Anonymous, ComposerLyricist - Catherine Bott, Soprano, MainArtist, AssociatedPerformer - Pavlo Beznosiuk, Fiddle, MainArtist, AssociatedPerformer - Mark Levy, Fiddle, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

Album review

While a program of works for soprano plus a pair of fiddlers might seem unlikely to succeed with a larger audience, soprano Catherine Bott and fiddlers Pavlo Beznosiuk and Mark Levy, taking their performing repertoire from the twelfth through fifteenth centuries and their interpretative stance from pop music, make Delectatio angeli riveting from start to finish. Opening with Bott alone and very close to the microphone singing a doleful anonymous thirteenth century "Prisoner's Song" and followed by Beznosiuk and Levy overdubbed to create a fiddle octet playing a delightful anonymous thirteenth century "English Dance," the program immediately grabs the listener's attention and never lets go. Bott's voice is a powerful instrument and she's not afraid to use it. The disc bears the subtitle "Music of love, longing & lament" and Bott's performances are as much about expressing the meaning of the lyrics as the meaning of the music. Her interpretations range from the serene to the sensual to the hilarious and she is fully engaged -- and fully engaging -- in all of them. Beznosiuk, known for his recordings on period violin with the Hanover Band and the Monteverdi Consort, and Levy, known for his recordings on period violin with Philip Pickett and with his own Concordia Ensemble, perform superbly together either as a duo or as a trio with Bott. Recorded in Angel Studio, London, and produced by Steve Price, Hyperion's sound is distinctly different from its more classical releases, more experimental, more immediate, and much more intimate. While not for every classical listener, Delectatio angeli could succeed with a larger audience.

© TiVo

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