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The son of one of the Twenty-four Violins of the King, Nicolas Clérambault was born in Paris in 1676. He was a precocious child: he is credited with a large choral motet, composed when he was just thirteen years old. His education was provided by excellent masters and he was a close friend of Guillaume-Gabriel Nivers, whom he eventually replaced in 1714 at the tribune of Saint-Sulpice and the Maison Royale de Saint-Louis in Saint-Cyr. In addition to a book for harpsichord, and another for the organ, Clérambault composed numerous motets, but during his lifetime already, his French Cantatas were the works that solidified his reputation: five books featuring twenty cantatas in addition to five single cantatas. They highlight his evolution, from a craft similar to his masters of the 17th century to the pure, classical style that soon became his. Apollon, Cantatte sur la paix, à voix seule, et simphonie écrite pour le Roy (Apollo, Cantata for Peace, single voice, and Symphony written for the King) dates back to the very end of Louis XIV’s rule, which was marked by war and famine; in it, Clérambault glorifies the King, often portrayed as Apollo, while echoing the overall feeling among the population: peace! His 1710 cantata Le Jaloux (The Jealous) departs from the standard framework: no action, no lauding or flattery, simply a delicious tableau of jealousy! The album’s centrepiece remains 1713 Pyrame et Thisbé (Pyramus and Thisbe), derived from Ovid’s Metamorphoses. Pyramus and Thisbe love each other, but their parents are opposed to their union. A beautiful instrumental prelude precedes the first recitative, which introduces and frames this tragedy. The melody closing the cantata is in a way the moral of the story. Between these two ends, Clérambault strings together recitatives, melodies, symphonies, as if in a lyric tragedy. The A Nocte Temporis ensemble – flute, violin, viola de gamba, harpsichord – accompany tenor Reinoud van Mechelen who performs these intense moments of great French classicism with perfect conviction and diction – crucial for this kind of textual works – while respecting the pronunciation specific to that era. For instance, “l’espoir de se revoir” turns into “l’espouêr de se revouêr”!
The son of one of the Twenty-four Violins of the King, Nicolas Clérambault was born in Paris in 1676. He was a precocious child: he is credited with a large choral motet, composed when he was just thirteen years old. His education was provided by excellent masters and he was a close friend of Guillaume-Gabriel Nivers, whom he eventually replaced in 1714 at the tribune of Saint-Sulpice and the Maison Royale de Saint-Louis in Saint-Cyr. In addition to a book for harpsichord, and another for the organ, Clérambault composed numerous motets, but during his lifetime already, his French Cantatas were the works that solidified his reputation: five books featuring twenty cantatas in addition to five single cantatas. They highlight his evolution, from a craft similar to his masters of the 17th century to the pure, classical style that soon became his. Apollon, Cantatte sur la paix, à voix seule, et simphonie écrite pour le Roy (Apollo, Cantata for Peace, single voice, and Symphony written for the King) dates back to the very end of Louis XIV’s rule, which was marked by war and famine; in it, Clérambault glorifies the King, often portrayed as Apollo, while echoing the overall feeling among the population: peace! His 1710 cantata Le Jaloux (The Jealous) departs from the standard framework: no action, no lauding or flattery, simply a delicious tableau of jealousy! The album’s centrepiece remains 1713 Pyrame et Thisbé (Pyramus and Thisbe), derived from Ovid’s Metamorphoses. Pyramus and Thisbe love each other, but their parents are opposed to their union. A beautiful instrumental prelude precedes the first recitative, which introduces and frames this tragedy. The melody closing the cantata is in a way the moral of the story. Between these two ends, Clérambault strings together recitatives, melodies, symphonies, as if in a lyric tragedy. The A Nocte Temporis ensemble – flute, violin, viola de gamba, harpsichord – accompany tenor Reinoud van Mechelen who performs these intense moments of great French classicism with perfect conviction and diction – crucial for this kind of textual works – while respecting the pronunciation specific to that era. For instance, “l’espoir de se revoir” turns into “l’espouêr de se revouêr”! © SM/Qobuz
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Cantates françoises mellées de simphonies, Livre III : Apollon, cantatte sur la paix, à voix seule et simphonie (Louis Nicolas Clérambault)
A Nocte Temporis (Reinoud Van Mechelen, Artistic Leader - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Anonymous, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
Cantates françoises à 1 et 2 voix, Livre I : Le Jaloux, cantate IIe à voix seule et simphonie (Louis Nicolas Clérambault)
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
Cantates françoises mellées de simphonies, Livre IV : L'amour, guéri par l'amour, cantatte Iere à voix seule et simphonie (Louis Nicolas Clérambault)
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Foucault, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
Cantates françoises mellées de simphonies, Livre II : Pyrame et Thisbé, cantate IVe, à voix seule et symphonie (Louis Nicolas Clérambault)
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
A Nocte Temporis (Reinoud Van Mechelen, Leader & Tenor - Anna Besson, flute - Emmanuel Resche, violin - Myriam Rignol, viola da gamba - Benjamin Alard, harpsichord) - Nicolas Clerambault, Composer - Marie de Louvencourt, Lyricist
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
Album review
The son of one of the Twenty-four Violins of the King, Nicolas Clérambault was born in Paris in 1676. He was a precocious child: he is credited with a large choral motet, composed when he was just thirteen years old. His education was provided by excellent masters and he was a close friend of Guillaume-Gabriel Nivers, whom he eventually replaced in 1714 at the tribune of Saint-Sulpice and the Maison Royale de Saint-Louis in Saint-Cyr. In addition to a book for harpsichord, and another for the organ, Clérambault composed numerous motets, but during his lifetime already, his French Cantatas were the works that solidified his reputation: five books featuring twenty cantatas in addition to five single cantatas. They highlight his evolution, from a craft similar to his masters of the 17th century to the pure, classical style that soon became his. Apollon, Cantatte sur la paix, à voix seule, et simphonie écrite pour le Roy (Apollo, Cantata for Peace, single voice, and Symphony written for the King) dates back to the very end of Louis XIV’s rule, which was marked by war and famine; in it, Clérambault glorifies the King, often portrayed as Apollo, while echoing the overall feeling among the population: peace! His 1710 cantata Le Jaloux (The Jealous) departs from the standard framework: no action, no lauding or flattery, simply a delicious tableau of jealousy! The album’s centrepiece remains 1713 Pyrame et Thisbé (Pyramus and Thisbe), derived from Ovid’s Metamorphoses. Pyramus and Thisbe love each other, but their parents are opposed to their union. A beautiful instrumental prelude precedes the first recitative, which introduces and frames this tragedy. The melody closing the cantata is in a way the moral of the story. Between these two ends, Clérambault strings together recitatives, melodies, symphonies, as if in a lyric tragedy. The A Nocte Temporis ensemble – flute, violin, viola de gamba, harpsichord – accompany tenor Reinoud van Mechelen who performs these intense moments of great French classicism with perfect conviction and diction – crucial for this kind of textual works – while respecting the pronunciation specific to that era. For instance, “l’espoir de se revoir” turns into “l’espouêr de se revouêr”!
The son of one of the Twenty-four Violins of the King, Nicolas Clérambault was born in Paris in 1676. He was a precocious child: he is credited with a large choral motet, composed when he was just thirteen years old. His education was provided by excellent masters and he was a close friend of Guillaume-Gabriel Nivers, whom he eventually replaced in 1714 at the tribune of Saint-Sulpice and the Maison Royale de Saint-Louis in Saint-Cyr. In addition to a book for harpsichord, and another for the organ, Clérambault composed numerous motets, but during his lifetime already, his French Cantatas were the works that solidified his reputation: five books featuring twenty cantatas in addition to five single cantatas. They highlight his evolution, from a craft similar to his masters of the 17th century to the pure, classical style that soon became his. Apollon, Cantatte sur la paix, à voix seule, et simphonie écrite pour le Roy (Apollo, Cantata for Peace, single voice, and Symphony written for the King) dates back to the very end of Louis XIV’s rule, which was marked by war and famine; in it, Clérambault glorifies the King, often portrayed as Apollo, while echoing the overall feeling among the population: peace! His 1710 cantata Le Jaloux (The Jealous) departs from the standard framework: no action, no lauding or flattery, simply a delicious tableau of jealousy! The album’s centrepiece remains 1713 Pyrame et Thisbé (Pyramus and Thisbe), derived from Ovid’s Metamorphoses. Pyramus and Thisbe love each other, but their parents are opposed to their union. A beautiful instrumental prelude precedes the first recitative, which introduces and frames this tragedy. The melody closing the cantata is in a way the moral of the story. Between these two ends, Clérambault strings together recitatives, melodies, symphonies, as if in a lyric tragedy. The A Nocte Temporis ensemble – flute, violin, viola de gamba, harpsichord – accompany tenor Reinoud van Mechelen who performs these intense moments of great French classicism with perfect conviction and diction – crucial for this kind of textual works – while respecting the pronunciation specific to that era. For instance, “l’espoir de se revoir” turns into “l’espouêr de se revouêr”! © SM/Qobuz
About the album
- 1 disc(s) - 31 track(s)
- Total length: 01:12:06
- 1 Digital booklet
- Main artists: A Nocte Temporis - Reinoud Van Mechelen Reinoud Van Mechelen
- Composer: Louis Nicolas Clérambault
- Label: Alpha Classics
- Genre: Classical Secular Vocal Music Cantatas (secular)
2017 Alpha Classics / Outhere Music France 2017 Alpha Classics / Outhere Music France
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