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David Bowie|Reality

Reality

David Bowie

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Instead of being a one-off comeback, 2002's Heathen turned out to be where David Bowie settled into a nice groove for his latter-day career, if 2003's Reality is any indication. Working once again with producer Tony Visconti, Bowie again returns to a sound from the past, yet tweaks it enough to make it seem modern, not retro. Last time around, he concentrated on his early-'70s sound, creating an amalgam of Hunky Dory through Heroes. With Reality, he picks up where he left off, choosing to revise the sound of Heroes through Scary Monsters, with the latter functioning as a sonic blueprint for the album. Basically, Reality is a well-adjusted Scary Monsters, minus the paranoia and despair -- and if those two ingredients were key to the feeling and effect of that album, it's a credit to Bowie that he's found a way to retain the sound and approach of that record, but turn it bright and cheerful and keep it interesting. Since part of the appeal of Monsters is the creeping sense of unease and its icy detachment, it would seem that a warmer, mature variation on that would not be successful, but Bowie and Visconti are sharp record-makers, retaining what works -- layers of voices and guitars, sleek keyboards, coolly propulsive rhythms -- and tying them to another strong set of songs. Like Heathen, the songs deliberately recall classic Bowie by being both tuneful and adventurous, both hallmarks of his '70s work. If this isn't as indelible as anything he cut during that decade, that's merely the fate of mature work by veteran rockers. So, Reality doesn't have the shock of the new, but it does offer some surprises, chief among them the inventive, assured production and memorable songs. It's a little artier than Heathen, but similar in its feel and just as satisfying. Both records are testaments to the fact that veteran rockers can make satisfyingly classicist records without resulting in nostalgia or getting too comfortable. With any luck, Bowie will retain this level of quality for a long time to come.

© Stephen Thomas Erlewine /TiVo

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Reality

David Bowie

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1
New Killer Star
00:04:40

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

2
Pablo Picasso
00:04:04

Sterling Campbell, Drums - Earl Slick, Guitar - Jonathan Richman, Writer - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

3
Never Get Old
00:04:24

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

4
The Loneliest Guy
00:04:11

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Bill Jenkins, Acoustic Piano - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

5
Looking For Water
00:03:28

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

6
She'll Drive The Big Car
00:04:34

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

7
Days
00:03:18

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

8
Fall Dog Bombs The Moon
00:04:02

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, Additional Drums, Additional Percussion, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

9
Try Some, Buy Some
00:04:24

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - GEORGE HARRISON, Writer - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

10
Reality
00:04:21

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

11
Bring Me The Disco King
00:07:45

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - Matt Chamberlain, Drums - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

12
Fly
00:04:10

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

13
Queen Of All The Tarts (Overture)
00:02:53

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

14
Rebel Rebel
00:03:10

Sterling Campbell, Drums - Earl Slick, Guitar - Mark Plati, Guitar, Bass - Mario McNulty, AdditionalEngineer - Emily Lazar, MasteringEngineer - David Bowie, Producer, Guitar, Keyboards, Percussion, Vocals, Backing Vocals, Writer, Baritone Saxophone, Synthesizer, MainArtist, Stylophone Synthesizer - Mike Garson, Piano - Tony Visconti, Producer, Mixer, Engineer, Guitar, Keyboards, Backing Vocals, Bass - Gerry Leonard, Guitar - Catherine Russell, Backing Vocals - Brandon Mason, AdditionalEngineer - DAVID TORN, Guitar - Gail Ann Dorsey, Backing Vocals

© 2003 Jones/Tintoretto Entertainment Company LLC Under exclusive license to Parlophone Records Limited, ℗ 2003 Jones/Tintoretto Entertainment Company LLC

Album review

Instead of being a one-off comeback, 2002's Heathen turned out to be where David Bowie settled into a nice groove for his latter-day career, if 2003's Reality is any indication. Working once again with producer Tony Visconti, Bowie again returns to a sound from the past, yet tweaks it enough to make it seem modern, not retro. Last time around, he concentrated on his early-'70s sound, creating an amalgam of Hunky Dory through Heroes. With Reality, he picks up where he left off, choosing to revise the sound of Heroes through Scary Monsters, with the latter functioning as a sonic blueprint for the album. Basically, Reality is a well-adjusted Scary Monsters, minus the paranoia and despair -- and if those two ingredients were key to the feeling and effect of that album, it's a credit to Bowie that he's found a way to retain the sound and approach of that record, but turn it bright and cheerful and keep it interesting. Since part of the appeal of Monsters is the creeping sense of unease and its icy detachment, it would seem that a warmer, mature variation on that would not be successful, but Bowie and Visconti are sharp record-makers, retaining what works -- layers of voices and guitars, sleek keyboards, coolly propulsive rhythms -- and tying them to another strong set of songs. Like Heathen, the songs deliberately recall classic Bowie by being both tuneful and adventurous, both hallmarks of his '70s work. If this isn't as indelible as anything he cut during that decade, that's merely the fate of mature work by veteran rockers. So, Reality doesn't have the shock of the new, but it does offer some surprises, chief among them the inventive, assured production and memorable songs. It's a little artier than Heathen, but similar in its feel and just as satisfying. Both records are testaments to the fact that veteran rockers can make satisfyingly classicist records without resulting in nostalgia or getting too comfortable. With any luck, Bowie will retain this level of quality for a long time to come.

© Stephen Thomas Erlewine /TiVo

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