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Katie Mahan|Appassionata

Appassionata

Katie Mahan

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Langue disponible : anglais

Pianist Katie Mahan is ideally suited to the Steinway & Sons label roster, for her percussive, highly expressive style perfectly fits the instruments the label's releases are designed to showcase. It is curious that the program of Appassionata is reverse chronological, forcing Mahan in her annotations to go through some contorted prose, but set that aside, and the effect is novel. The giant variation set in the Piano Sonata No. 30 in E major, Op. 109, conventionally comes at the end of Beethoven sonata programs, but here, with a lyrical, rather mystical performance from Mahan, it is introductory to the Piano Sonata No. 23 in F sharp minor, Op. 57 ("Appassionata"). The curtain raiser is the set of six Bagatelles, Op. 126, Beethoven's final works for piano, which are given a detailed, deliberate performance that outshines the overly speedy takes that seem to have become the norm. The "Appassionata" is the best of all: Mahan gives it a sweeping yet inward performance that will make listeners remember why they began to love Beethoven in the first place. A superb exemplification of Steinway's ideals of old-school pianism.

© TiVo

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Appassionata

Katie Mahan

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6 Bagatelles, Op. 126 (Ludwig van Beethoven)

1
No. 1, Andante con moto, cantabile e compiacevole
00:03:34

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

2
No. 2, Allegro
00:02:33

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

3
No. 3, Andante, cantabile e grazioso
00:03:08

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

4
No. 4, Presto
00:04:21

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

5
No. 5, Quasi allegretto
00:01:58

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

6
No. 6, Presto
00:04:34

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

Piano Sonata No. 30 in E Major, Op. 109 (Ludwig van Beethoven)

7
I. Vivace ma non troppo, sempre legato - Adagio espressivo
00:04:09

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

8
II. Prestissimo
00:02:25

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

9
III. Gesangvoll, mit innigster Empfindung
00:14:46

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata" (Ludwig van Beethoven)

10
I. Allegro assai
00:11:08

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

11
II. Andante con moto
00:08:20

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

12
III. Allegro ma non troppo - Presto
00:08:18

Ludwig van Beethoven, Composer - Katie Mahan, Artist, MainArtist

(C) 2020 Steinway and Sons (P) 2020 Steinway and Sons

Chronique

Pianist Katie Mahan is ideally suited to the Steinway & Sons label roster, for her percussive, highly expressive style perfectly fits the instruments the label's releases are designed to showcase. It is curious that the program of Appassionata is reverse chronological, forcing Mahan in her annotations to go through some contorted prose, but set that aside, and the effect is novel. The giant variation set in the Piano Sonata No. 30 in E major, Op. 109, conventionally comes at the end of Beethoven sonata programs, but here, with a lyrical, rather mystical performance from Mahan, it is introductory to the Piano Sonata No. 23 in F sharp minor, Op. 57 ("Appassionata"). The curtain raiser is the set of six Bagatelles, Op. 126, Beethoven's final works for piano, which are given a detailed, deliberate performance that outshines the overly speedy takes that seem to have become the norm. The "Appassionata" is the best of all: Mahan gives it a sweeping yet inward performance that will make listeners remember why they began to love Beethoven in the first place. A superb exemplification of Steinway's ideals of old-school pianism.

© TiVo

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