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Funeral Party|The Golden Age Of Knowhere

The Golden Age Of Knowhere

Funeral Party

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“It's all been done before and it'll all be done again,” Funeral Party sing on the band's debut album, The Golden Age of Knowhere. Indeed, what they're doing isn't exactly new: the band's sound borrows from two big early-2000s trends, dance-punk and emo. On the brash album-opening “New York Moves to the Sounds of L.A.,” they like stirring up the culture war between those cities almost as much as they like fuzzed-out bass, shouty vocals, and cowbell. At times, they recall a less abrasive (and less inventive) Blood Brothers, particularly on the close harmonies and serrated melody of "Car Wars"; the raspy yelps and jumpy rhythms on “Just Because” channel the Rapture or even early Hot Hot Heat. Elsewhere, “Finale”'s swelling choruses and gang vocals capture emo's earnestness, while “Where Did It Go Wrong”'s crooning is vaguely reminiscent of the Smiths and "Postcards of Persuasion" has a whiff of post-post-punk à la Interpol to it. What makes this lack of a clear aesthetic and originality forgivable is Funeral Party's ample energy and their way with melodies and hooks that stick. They may not have as much depth as their influences, but at their best, their shiny surfaces are a lot of fun. However, the band makes the mistake of putting all of The Golden Age of Knowhere's barn-burning songs at the top of the album, letting their emo -- as in emotional -- side overtake its second half. Unfortunately, they haven't quite mastered ballads the same way they can sell rockers, and songs like “Giant,” “Youth & Poverty,” and “Relics to Ruins” feel a bit soggy compared to the highlights here. Funeral Party try for -- and just miss -- an epic closing statement with the album's title track; ultimately, they're more convincing as snotty dance-punk agitators than they are as rousing everymen.

© Heather Phares /TiVo

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The Golden Age Of Knowhere

Funeral Party

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1
New York City Moves To The Sound of L.A.
00:04:28

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Benito Solis, Composer - Benito Solis, Lyricist - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - David Corcos, Producer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Sean Sullivan, Edited By

(P) 2008 Fearless Records

2
Car Wars
00:04:12

Alec Gomez, Mixing Engineer - Alfredo Ortiz, Drums - Alfredo Ortiz, Percussion - Andy Brohard, Mixing Engineer - Chad Elliott, Composer - Chad Elliott, Keyboards - Chad Elliott, Lyricist - Chad Elliott, Vocal - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Lawrence Torres, Composer - James Lawrence Torres, Guitar - James Lawrence Torres, Lyricist - Kimo Kauhola, Acoustic Bass - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Omar Rodriguez-Lopez, Guitar - Sean Sullivan, Edited By

(P) 2010 RCA Records, a unit of Sony Music Entertainment

3
Finale
00:04:10

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Elliott, Composer - Chad Elliott, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Lawrence Torres, Composer - James Lawrence Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Tim Madrid, Composer - Tim Madrid, Lyricist

(P) 2010 RCA Records, a unit of Sony Music Entertainment

4
Where Did It Go Wrong
00:03:28

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By

(P) 2010 RCA Records, a unit of Sony Music Entertainment

5
Just Because (New Album Mix)
00:03:53

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Stephen Marcussen, Mastering Engineer - Tim Madrid, Composer - Tim Madrid, Lyricist

(P) 2010 RCA Records, a unit of Sony Music Entertainment

6
Postcards Of Persuasion
00:03:41

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Stephen Marcussen, Mastering Engineer

(P) 2010 RCA Records, a unit of Sony Music Entertainment

7
Giant
00:03:19

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Stephen Marcussen, Mastering Engineer

(P) 2010 RCA Records, a unit of Sony Music Entertainment

8
City In Silhouettes
00:03:39

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By

(P) 2010 RCA Records, a unit of Sony Music Entertainment

9
Youth & Poverty
00:03:19

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By

(P) 2010 RCA Records, a unit of Sony Music Entertainment

10
Relics To Ruins
00:03:29

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Tim Madrid, Composer - Tim Madrid, Lyricist

(P) 2010 RCA Records, a unit of Sony Music Entertainment

11
The Golden Age Of Knowhere
00:03:27

Alec Gomez, Mixing Engineer - Andy Brohard, Mixing Engineer - Chad Rodriguez, Composer - Chad Rodriguez, Lyricist - Dave Sardy, Mixing Engineer - Funeral Party, Performer - James Torres, Composer - James Torres, Lyricist - Kimo Kauhola, Composer - Kimo Kauhola, Lyricist - Lars Stalfors, Engineer - Lars Stalfors, Producer - Sean Sullivan, Edited By - Tim Madrid, Composer - Tim Madrid, Lyricist

(P) 2010 RCA Records, a unit of Sony Music Entertainment

Albumbeschreibung

“It's all been done before and it'll all be done again,” Funeral Party sing on the band's debut album, The Golden Age of Knowhere. Indeed, what they're doing isn't exactly new: the band's sound borrows from two big early-2000s trends, dance-punk and emo. On the brash album-opening “New York Moves to the Sounds of L.A.,” they like stirring up the culture war between those cities almost as much as they like fuzzed-out bass, shouty vocals, and cowbell. At times, they recall a less abrasive (and less inventive) Blood Brothers, particularly on the close harmonies and serrated melody of "Car Wars"; the raspy yelps and jumpy rhythms on “Just Because” channel the Rapture or even early Hot Hot Heat. Elsewhere, “Finale”'s swelling choruses and gang vocals capture emo's earnestness, while “Where Did It Go Wrong”'s crooning is vaguely reminiscent of the Smiths and "Postcards of Persuasion" has a whiff of post-post-punk à la Interpol to it. What makes this lack of a clear aesthetic and originality forgivable is Funeral Party's ample energy and their way with melodies and hooks that stick. They may not have as much depth as their influences, but at their best, their shiny surfaces are a lot of fun. However, the band makes the mistake of putting all of The Golden Age of Knowhere's barn-burning songs at the top of the album, letting their emo -- as in emotional -- side overtake its second half. Unfortunately, they haven't quite mastered ballads the same way they can sell rockers, and songs like “Giant,” “Youth & Poverty,” and “Relics to Ruins” feel a bit soggy compared to the highlights here. Funeral Party try for -- and just miss -- an epic closing statement with the album's title track; ultimately, they're more convincing as snotty dance-punk agitators than they are as rousing everymen.

© Heather Phares /TiVo

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