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Konstantin Scherbakov|ME on wings of song (Konstantin Scherbakov, piano)

ME on wings of song (Konstantin Scherbakov, piano)

Konstantin Scherbakov, piano

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Text in englischer Sprache verfügbar

Me on Wings of Song, egotistically titled to be sure, is a recital of short piano pieces by Russian pianist Konstantin Scherbakov. The annotations proclaim this rationale for the program: "Scherbakov has been asked to put together a program of his own choice ... a rarity in the modern recording industry." It's not so rare as all that, and the statement doesn't convey the unusual flavor of the program. For one thing, Scherbakov plays an uninterrupted string of 18 short but not tiny pieces. None is a minature, but they top out at just over six minutes with Zoltán Kocsis' arrangement of Rachmaninov's Vocalise for voice and piano, Op. 34/14. Thus all the works are of roughly the same dimensions, and most of them are similar in their noctural, nostalgic mood. None contains keyboard-pounding fireworks, and the dynamic of the group of pieces as a whole results from shifts in tonality and texture. The other unusual feature is that Scherbakov plays a large number of arrangements (seven in all), including unfamiliar ones by the likes of Aleksandr Siloti. The overall result is a program that shouldn't work but does, for Scherbakov keeps it moving throughout and achieves a state of sustained reverie. This recording, in fact, plays to the strengths of this unorthodox Russian pianist: it's something the Romantic performers he idolizes would have tried, just to be daring, and it's a genuinely unusual release.
© TiVo

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ME on wings of song (Konstantin Scherbakov, piano)

Konstantin Scherbakov

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1
Prelude in E minor, BWV 855a (arr. A. Siloti)
00:03:00

Konstantin Scherbakov, piano

2
Dance of the Blessed Spirits (arr. I. Friedman)
00:03:26

Konstantin Scherbakov, piano

3
Mozart - Requiem in D minor, K. 626: Lacrimosa
00:03:09

Konstantin Scherbakov, piano

4
No. 1 in E major
00:02:58

Konstantin Scherbakov, piano

5
Auf Flugeln des Gesanges, Op. 34, No. 2
00:03:09

Konstantin Scherbakov, piano

6
No. 46 in G minor, Op. 102, No. 4
00:02:17

Konstantin Scherbakov, piano

7
No. 1 in E flat major
00:04:41

Konstantin Scherbakov, piano

8
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (arr. F. Busoni)
00:03:38

Konstantin Scherbakov, piano

9
No. 3 in D flat major: Lento placido
00:03:59

Konstantin Scherbakov, piano

10
No. 3. Nocturne in A flat major
00:04:07

Konstantin Scherbakov, piano

11
No. 14. Vocalise in E minor (arr. Z. Kocsis)
00:06:06

Konstantin Scherbakov, piano

12
Nocturne No. 20 in C sharp minor, Op. posth.
00:03:44

Konstantin Scherbakov, piano

13
III. Clair de lune
00:04:08

Konstantin Scherbakov, piano

14
No. 1. Prelude in B minor
00:03:09

Konstantin Scherbakov, piano

15
XIII. Le Cygne (The Swan) (arr. A. Siloti)
00:02:35

Konstantin Scherbakov, piano

16
La separation, "Nocturne in F minor"
00:04:03

Konstantin Scherbakov, piano

17
Nocturne No. 2 in E flat major, Op. 9, No. 2
00:04:08

Konstantin Scherbakov, piano

18
No. 3 in G flat major
00:06:00

Konstantin Scherbakov, piano

19
Bagatelle in A minor, WoO 59, "Fur Elise"
00:02:32

Konstantin Scherbakov, piano

Albumbeschreibung

Me on Wings of Song, egotistically titled to be sure, is a recital of short piano pieces by Russian pianist Konstantin Scherbakov. The annotations proclaim this rationale for the program: "Scherbakov has been asked to put together a program of his own choice ... a rarity in the modern recording industry." It's not so rare as all that, and the statement doesn't convey the unusual flavor of the program. For one thing, Scherbakov plays an uninterrupted string of 18 short but not tiny pieces. None is a minature, but they top out at just over six minutes with Zoltán Kocsis' arrangement of Rachmaninov's Vocalise for voice and piano, Op. 34/14. Thus all the works are of roughly the same dimensions, and most of them are similar in their noctural, nostalgic mood. None contains keyboard-pounding fireworks, and the dynamic of the group of pieces as a whole results from shifts in tonality and texture. The other unusual feature is that Scherbakov plays a large number of arrangements (seven in all), including unfamiliar ones by the likes of Aleksandr Siloti. The overall result is a program that shouldn't work but does, for Scherbakov keeps it moving throughout and achieves a state of sustained reverie. This recording, in fact, plays to the strengths of this unorthodox Russian pianist: it's something the Romantic performers he idolizes would have tried, just to be daring, and it's a genuinely unusual release.
© TiVo

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