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Marie-Laure Garnier|Jeanne Leleu, une consécration éclatante, Vol. 1: Musique de chambre et mélodies

Jeanne Leleu, une consécration éclatante, Vol. 1: Musique de chambre et mélodies

Marie-Laure Garnier, Alexandre Pascal, Léa Hennino, Heloïse Luzzati, Célia Oneto Bensaid

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The small label La boîte à pépites investigates the music of women composers, all of them so far from France. Introduced by appealing cover drawings, they explore a single composer in depth, often devoting more than one volume to the same figure. Here, Jeanne Leleu is featured on the first volume of what is to become a multi-volume series. The songs and chamber music here are early works, but they already reveal a distinctive voice from Leleu, who, as a child piano prodigy, gave the world premiere of Ravel's Ma mère l'oye and won the Prix de Rome in 1923 for her cantata Béatrix. There is little evidence of contemporary trends, but neither is Leleu's music derivative of anyone else's. The opening Quartet for violin, viola, cello, and piano has a lovely quiet and lyrical tone sustained over its three movements. Perhaps the highlights are the Six Sonnets de Michel-Ange ("Six Sonnets of Michelangelo"), which also exist in an orchestral version; they receive standout performances from soprano Marie-Laure Garnier, who is agile in catching the turns Leleu brings to the sonnet form. The finale En Italie piano pieces are colorful programmatic works, never obvious. Pianist Célia Oneto Bensaid and the other performers deliver clean readings, keeping in mind the label's goal of putting the composer at the center of each release. One anxiously awaits further volumes devoted to Leleu, who wrote a good deal of music in larger forms.

© James Manheim /TiVo

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Jeanne Leleu, une consécration éclatante, Vol. 1: Musique de chambre et mélodies

Marie-Laure Garnier

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Quatuor pour violon, alto, violoncelle et piano (Jeanne Leleu)

1
I. Très lent - Vif
Alexandre Pascal
00:11:43

Alexandre Pascal, Violin, MainArtist - Léa Hennino, Viola, MainArtist - Héloïse Luzzati, Cello, MainArtist - Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

2
II. Lent
Alexandre Pascal
00:06:27

Alexandre Pascal, Violin, MainArtist - Léa Hennino, Viola, MainArtist - Héloïse Luzzati, Cello, MainArtist - Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

3
III. Allegro
Alexandre Pascal
00:06:55

Alexandre Pascal, Violin, MainArtist - Léa Hennino, Viola, MainArtist - Héloïse Luzzati, Cello, MainArtist - Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

Six Sonnets de Michel-Ange (Jeanne Leleu)

4
No. 1, Tout ce qu'un grand artiste
Marie-Laure Garnier
00:03:47

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

5
No. 2, Vos beaux yeux me font voir
Marie-Laure Garnier
00:03:54

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

6
No. 3, Fuyez, amants, fuyez l'amour
Marie-Laure Garnier
00:03:05

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

7
No. 4, Qu'il est doux, le festin de ces fleurs
Marie-Laure Garnier
00:03:12

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

8
No. 5, Ils sont rompus, ces liens
Marie-Laure Garnier
00:04:42

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

9
No. 6, C'est ici que mon unique bien
Marie-Laure Garnier
00:05:08

Jeanne Leleu, Composer - Marie-Laure Garnier, MainArtist, SopranoSolo - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

En Italie (Jeanne Leleu)

10
III. Au théâtre des marionnettes. À l'aise, d'une manière un peu mécanique
Célia Oneto Bensaid
00:03:44

Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

11
V. Sérénade de Pulcinella. Vif et léger
Célia Oneto Bensaid
00:03:14

Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

12
VII. Le Dimanche dans une osteria. Assez animé, lourdement
Célia Oneto Bensaid
00:05:16

Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

13
IV. Les Compagnons de saint François. Lentement, et avec infiniment de douceur
Célia Oneto Bensaid
00:05:28

Jeanne Leleu, Composer - Célia Oneto Bensaïd, Piano, MainArtist

2024 La Boite à Pépites 2023 La Boite à Pépites

Albumbeschreibung

The small label La boîte à pépites investigates the music of women composers, all of them so far from France. Introduced by appealing cover drawings, they explore a single composer in depth, often devoting more than one volume to the same figure. Here, Jeanne Leleu is featured on the first volume of what is to become a multi-volume series. The songs and chamber music here are early works, but they already reveal a distinctive voice from Leleu, who, as a child piano prodigy, gave the world premiere of Ravel's Ma mère l'oye and won the Prix de Rome in 1923 for her cantata Béatrix. There is little evidence of contemporary trends, but neither is Leleu's music derivative of anyone else's. The opening Quartet for violin, viola, cello, and piano has a lovely quiet and lyrical tone sustained over its three movements. Perhaps the highlights are the Six Sonnets de Michel-Ange ("Six Sonnets of Michelangelo"), which also exist in an orchestral version; they receive standout performances from soprano Marie-Laure Garnier, who is agile in catching the turns Leleu brings to the sonnet form. The finale En Italie piano pieces are colorful programmatic works, never obvious. Pianist Célia Oneto Bensaid and the other performers deliver clean readings, keeping in mind the label's goal of putting the composer at the center of each release. One anxiously awaits further volumes devoted to Leleu, who wrote a good deal of music in larger forms.

© James Manheim /TiVo

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