Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Sangeet Trio|Inde du Nord : Sangeet Trio en concert (Live)

Inde du Nord : Sangeet Trio en concert (Live)

Sangeet Trio, Tarun Bhattacharya, Vishwa Mohan Bhatt, Ronu Majumdar

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

This is an unusual ensemble for Indian classical music. First of all, instead of a soloist accompanied by the tabla drums and the sitar-like tampura, there is a trio plus accompanists. The trio consists of three unusual instruments: bansuri flutes (played by Renu Mojumdar), a modified guitar (played by Vishwa Mohan Bhatt), and the Middle Eastern santur hammer dulcimer (played by Tarun Bhattacharya). The guitar is especially interesting. It has a short neck, four melody strings, three drone strings, and 12 sympathetic strings. It is played with a metal slide in a quasi "slack key" style. The slide is frequently used to bend notes in the Indian fashion, but when Bhatt resorts to more of a finger-picking style, it sounds American. The trio plays "Raja Jog" at this live concert in Paris. It is an exceedingly long raag (66 minutes), and the alap -- the opening 18-and-a-half-minute slow movement -- might be a little tedious for Western ears. The two faster sections are more engrossing. The musicians chose a raag whose intervals recall the American blues, and there is a repeated five-note figure that could almost be a jazz riff. The overall effect is more like jazz than blues. These allusions are achieved without any straining for effect, if they are indeed conscious at all. Good fun.

© Kurt Keefner /TiVo

Weitere Informationen

Inde du Nord : Sangeet Trio en concert (Live)

Sangeet Trio

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Alap (Live, Raga Jog)
00:18:30

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

2
Jhaptal (Live, Raga Jog)
00:18:27

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

3
Drut Tîn-Tal (Live, Raga Jog)
00:29:48

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

Albumbeschreibung

This is an unusual ensemble for Indian classical music. First of all, instead of a soloist accompanied by the tabla drums and the sitar-like tampura, there is a trio plus accompanists. The trio consists of three unusual instruments: bansuri flutes (played by Renu Mojumdar), a modified guitar (played by Vishwa Mohan Bhatt), and the Middle Eastern santur hammer dulcimer (played by Tarun Bhattacharya). The guitar is especially interesting. It has a short neck, four melody strings, three drone strings, and 12 sympathetic strings. It is played with a metal slide in a quasi "slack key" style. The slide is frequently used to bend notes in the Indian fashion, but when Bhatt resorts to more of a finger-picking style, it sounds American. The trio plays "Raja Jog" at this live concert in Paris. It is an exceedingly long raag (66 minutes), and the alap -- the opening 18-and-a-half-minute slow movement -- might be a little tedious for Western ears. The two faster sections are more engrossing. The musicians chose a raag whose intervals recall the American blues, and there is a repeated five-note figure that could almost be a jazz riff. The overall effect is more like jazz than blues. These allusions are achieved without any straining for effect, if they are indeed conscious at all. Good fun.

© Kurt Keefner /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour

Playlists

Das könnte Ihnen auch gefallen...

Chapter II: How Dark It Is Before Dawn

Anoushka Shankar

João

Bebel Gilberto

João Bebel Gilberto

Un Verano Sin Ti

Bad Bunny

Un Verano Sin Ti Bad Bunny

Próxima Estación: Esperanza

Manu Chao

Buena Vista Social Club

Buena Vista Social Club

Buena Vista Social Club Buena Vista Social Club