Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)
© William Ruhlmann /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Tony Bennett, Performer - Ernie Altschuler, Producer - Didier C. Deutsch, Mastering Engineer - Douglas Cross, Composer - Douglas Cross, Lyricist - George Cory, Composer - George Cory, Lyricist - Darcy Proper, Mastering Engineer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett; Arranged & conducted by Marty Manning with Ralph Sharon, Performer - Ernie Altschuler, Producer - Charles Strouse, Composer - Lee Adams, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - P.F. Webster, Composer - P.F. Webster, Lyricist - Sammy Fain, Composer - Sammy Fain, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennet; Conducted by Johnny Mandel with Tommy Flanagan, Piano; Arranged by Al Cohn, Performer - Ernie Altschuler, Producer - Charlie Chaplin, Composer - Tony Bennett, Vocal - John Turner, Lyricist - Johnny Mandel, Conductor - Geoffrey Parsons, Lyricist - Tommy Flanagan, Piano - Al Cohn, Arranger
Originally released 1966. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - C. Porter, Composer - C. Porter, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - J. Latouche, Composer - J. Latouche, Lyricist - Mitch Miller, Producer - T. Fetter, Composer - T. Fetter, Lyricist - Al Ham, Producer - V. Duke, Composer - V. Duke, Lyricist - Count Basie & His Orchestra, Performer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - G. Morgan, Composer - G. Morgan, Lyricist - Ernie Altschuler, Producer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - Harold Rome, Composer - Harold Rome, Lyricist - Ernie Altschuler, Producer
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Ernie Altschuler, Producer - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Mitch Miller, Producer - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - J. McCarthy, Composer - J. McCarthy, Lyricist - H. Carroll, Composer - H. Carroll, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Performer - Ernie Altschuler, Producer - C. Leigh, Composer - C. Leigh, Lyricist - C. Coleman, Composer - C. Coleman, Lyricist
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Albumbeschreibung
Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)
© William Ruhlmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:32:14
- Künstler: Tony Bennett
- Komponist: Various Composers
- Label: Columbia
- Genre: Pop/Rock Internationaler Pop Crooner
Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Auszeichnungen:
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.