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Joanne Polk|Gershwin & Wild

Gershwin & Wild

Joanne Polk

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Earl Wild applied the Romantic virtuoso pianism of Liszt and his successors to the music of George Gershwin, something that no one else has really done and of which, one suspects, Gershwin himself would have approved: the Gershwin Songbook of 1932 is not so far in its treatment of melody from the Wild "virtuoso etudes" heard here. But Gershwin did not approach the sheer technical feats Wild demands from his interpreters (and from himself, for he was a true composer-pianist). A new recording of any works of the underappreciated Wild is welcome, and from American pianist Joanne Polk you get much more than the minimum. For sheer power you might pick the recording of Wild's music by Xiayin Wang, but Polk has advantages as well. First there is an easy familiarity with the jazz idiom that Wild exploits: sample The Man I Love, where real rhythmic flexibility shines through all the fireworks. Second is the presence of an original Wild work, the Sonata 2000, with a final toccata inspired by Ricky Martin. His music has not proven to be as lasting as that of Gershwin, but there are fireworks galore here, and has not appeared on disc since the original recording by the octogenarian Wild himself. Finally, there is the consistently strong sound of the Steinway & Sons label, working at the performing arts center of Purchase College in the State University of New York system. Recommended.

© TiVo

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Gershwin & Wild

Joanne Polk

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7 Virtuoso Études After Gershwin (Earl Wild)

1
No. 1. Liza
00:04:07

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

2
No. 2. Somebody Loves Me
00:03:28

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

3
No. 3. The Man I Love
00:02:58

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

4
No. 4. Embraceable You
00:03:52

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

5
No. 5. Lady Be Good
00:04:35

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

6
No. 6. I Got Rhythm
00:02:40

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

7
No. 7. Fascinatin' Rhythm
00:02:05

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

Improvisation in the form of a Theme and Variations on Gershwin's Someone to watch over me (Earl Wild)

8
Improvisation in the form of a Theme and Variations on Gershwin's Someone to watch over me
00:15:15

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

Sonata 2000 (Earl Wild)

9
I. March: Allegro
00:07:29

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

10
II. Adagio
00:08:08

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

11
III. Toccata (a la Ricky Martin)
00:05:19

Joanne Polk, Artist, MainArtist - Earl Wild, Composer

(C) 2017 Steinway and Sons (P) 2017 Steinway and Sons

Albumbeschreibung

Earl Wild applied the Romantic virtuoso pianism of Liszt and his successors to the music of George Gershwin, something that no one else has really done and of which, one suspects, Gershwin himself would have approved: the Gershwin Songbook of 1932 is not so far in its treatment of melody from the Wild "virtuoso etudes" heard here. But Gershwin did not approach the sheer technical feats Wild demands from his interpreters (and from himself, for he was a true composer-pianist). A new recording of any works of the underappreciated Wild is welcome, and from American pianist Joanne Polk you get much more than the minimum. For sheer power you might pick the recording of Wild's music by Xiayin Wang, but Polk has advantages as well. First there is an easy familiarity with the jazz idiom that Wild exploits: sample The Man I Love, where real rhythmic flexibility shines through all the fireworks. Second is the presence of an original Wild work, the Sonata 2000, with a final toccata inspired by Ricky Martin. His music has not proven to be as lasting as that of Gershwin, but there are fireworks galore here, and has not appeared on disc since the original recording by the octogenarian Wild himself. Finally, there is the consistently strong sound of the Steinway & Sons label, working at the performing arts center of Purchase College in the State University of New York system. Recommended.

© TiVo

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