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I Octane|Crying To The Nation

Crying To The Nation

I Octane

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One of the most common mistakes reggae artists have historically made is that of overproducing: the minute it becomes clear that they're capable of making hit songs, they immediately embark on a three-albums-a-year regimen that leaves them spent and the public fatigued. I-Octane (ha) has wisely bided his time. Despite a string of hit singles over the past several years, Crying to the Nation is his first full-length album, and it's a solid winner. A variety of Jamaican producers provide a range of rhythms and textures for him to sing over, most of them on the funky but gentle side; his voice is pleasing and his messages consistently uplifting. Although he seems to depend on Auto-Tune a bit more than one might wish, he uses it more subtly than many of his colleagues do, and although he sometimes gets perilously close to the nasal pseudo-gospel whine that makes so many of his roots-and-culture colleagues so hard to listen to, he never crosses the line -- and his ability to jump from crooning to singjay toasting within the space of a beat is both impressive and fun. The songs are consistently strong, but particular highlights include "Zion Awaits" and the affecting "Lose a Friend." There are fine cameo appearances from Alborosie, Tarrus Riley, and the excellent deejay Agent Sasco. And he gets an extra half-star for including not a single skit on the program.

© Rick Anderson /TiVo

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Crying To The Nation

I Octane

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1
Rules Of Life
00:03:49

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

2
Help I Please
00:02:50

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

3
Vanity Will Come
00:03:44

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

4
Nuh Love Inna Dem
00:03:23

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

5
Puff It
00:03:26

I-Octane, Composer, MainArtist

© 2011 VP Music Group, Inc ℗ 2010 VP Music Group, Inc

6
No More Violence
00:03:17

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

7
System A Beat Dem
00:02:59

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

8
Zion Awaits
00:03:41

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

9
L.O.V.E.Y.O.U.
00:03:28

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

10
Missing You [Remix] (feat. Agent Sasco)
00:04:05

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

11
Once More
00:02:53

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

12
The Master's Plan
00:04:06

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

13
Lose A Friend
00:03:34

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

14
All We Need Is Love (feat. Tarrus Riley)
00:03:18

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

15
Space For All Of Us (feat. Alborosie)
00:03:50

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

16
Crying To The Nation
00:04:00

I Octane, MainArtist

© 2011 VP Music Group, Inc ℗ 2012 VP Music Group, Inc

Albumbeschreibung

One of the most common mistakes reggae artists have historically made is that of overproducing: the minute it becomes clear that they're capable of making hit songs, they immediately embark on a three-albums-a-year regimen that leaves them spent and the public fatigued. I-Octane (ha) has wisely bided his time. Despite a string of hit singles over the past several years, Crying to the Nation is his first full-length album, and it's a solid winner. A variety of Jamaican producers provide a range of rhythms and textures for him to sing over, most of them on the funky but gentle side; his voice is pleasing and his messages consistently uplifting. Although he seems to depend on Auto-Tune a bit more than one might wish, he uses it more subtly than many of his colleagues do, and although he sometimes gets perilously close to the nasal pseudo-gospel whine that makes so many of his roots-and-culture colleagues so hard to listen to, he never crosses the line -- and his ability to jump from crooning to singjay toasting within the space of a beat is both impressive and fun. The songs are consistently strong, but particular highlights include "Zion Awaits" and the affecting "Lose a Friend." There are fine cameo appearances from Alborosie, Tarrus Riley, and the excellent deejay Agent Sasco. And he gets an extra half-star for including not a single skit on the program.

© Rick Anderson /TiVo

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