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Father Mc|Close To You

Close To You

Father MC

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In the 21st century, rap and R&B are seriously joined at the hip. Urban contemporary singers go out of their way to feature major rappers, and even the most hardcore MCs employ R&B singers on their recordings. But it wasn't always that way. In the '80s, hip-hop encountered a great deal of resistance in R&B circles, and many hardcore rappers wanted nothing to do with R&B. Father MC did his part to change that. Like Whodini, Salt-N-Pepa, the Fresh Prince, Heavy D, and Young MC before him, Father envisioned a style of hip-hop that was commercial, unthreatening, R&B-drenched, and pop-friendly, but not lightweight or bland; arguably, his new jack swing-minded albums of the early '90s were the rap equivalent of Bobby Brown or Keith Sweat. While Close to You is hardly the work of a hip-hop purist, this 1992 release demonstrates that pop-rap can have integrity. Yes, the CD is full of urban contemporary slickness and romantic themes (as opposed to battle rhymes or hard-hitting tales of thug life in the 'hood), but Father's rapping skills are never in doubt; he flows with plenty of confidence, and his East Coast rhyming technique is consistently impressive. Close to You underscores the fact that not all pop-rap is created equal. The rhyming skills of some pop-rappers have been limited at best -- Vanilla Ice immediately comes to mind -- while the more substantial ones (Salt-N-Pepa, the Fresh Prince, Heavy D) have had no problem getting their flow on. Clearly, Father MC falls into the latter category, and his impact was enormous in the early '90s. Father's 1990 debut, Father's Day, is widely regarded as his most important and essential release, but Close to You was a solid, enjoyable follow-up for the Bronx native.

© Alex Henderson /TiVo

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Close To You

Father Mc

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1
All I Want
00:04:33

Dave "Jam" Hall, Producer, Mixer, Recording Engineer, StudioPersonnel, ComposerLyricist - Jesse Johnson, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Rod Hui, Recording Engineer, Mix Engineer, StudioPersonnel - Jesse J. Johnson, ComposerLyricist - Gerald Hubbard Jr., ComposerLyricist

℗ 1992 UMG Recordings, Inc.

2
One Nite Stand (Album Version)
00:05:27

Alan Gorrie, ComposerLyricist - Edward Ferrell, Producer, Mixer, Recording Engineer, StudioPersonnel - Hamish Stuart, ComposerLyricist - Owen McIntyre, ComposerLyricist - Malcolm Duncan, ComposerLyricist - Steve Ferrone, ComposerLyricist - Mary J. Blige, Background Vocalist, AssociatedPerformer - Edward "Eddie F" Ferrell, Producer, ComposerLyricist - Roger Dale Ball, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Kevin Reynolds, Mix Engineer, StudioPersonnel

℗ 1992 UMG Recordings, Inc.

3
Close To You (Album Version)
00:05:22

Mark Morales, ComposerLyricist - Edward Ferrell, Producer, Mixer, Recording Engineer, StudioPersonnel, ComposerLyricist - Kevin McCord, ComposerLyricist - Mark C. Rooney, ComposerLyricist - Damon Johnson, ComposerLyricist - Kevin Duane Mccord, ComposerLyricist - Nevelle Hodge, Producer - Dave Dachinger, Mix Engineer, StudioPersonnel - Mark Rooney, ComposerLyricist - Edward "Eddie F" Ferrell, Producer, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Damon R. Johnson, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

4
Everything's Gonna Be Alright (Album Version)
00:03:43

Joel Hailey, Background Vocalist, AssociatedPerformer - Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - NILE RODGERS, ComposerLyricist - BERNARD EDWARDS, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel - Timothy Brown, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - K-CI Hailey, Background Vocalist, AssociatedPerformer - Mike Fronda, Recording Engineer, StudioPersonnel - Damon R. Johnson, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

5
Do The One, Two (Album Version)
00:04:44

William Earl Collins, ComposerLyricist - Bootsy Collins, ComposerLyricist - Edward Ferrell, Producer, Mixer, Recording Engineer, StudioPersonnel, ComposerLyricist - George Clinton, ComposerLyricist - Bernie Worrell, ComposerLyricist - Mary J. Blige, Background Vocalist, AssociatedPerformer - Dave Dachinger, Mix Engineer, StudioPersonnel - Edward "Eddie F" Ferrell, ComposerLyricist - Father MC, MainArtist, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

6
Red Lace Lingerie (Album Version (Explicit)) Explicit
00:05:12

Allan Wayne Felder, ComposerLyricist - Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - Damon Johnson, ComposerLyricist - Norma Jean Wright, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - JACK HERSCA, Recording Engineer, StudioPersonnel - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Kenneth Burke, ComposerLyricist - Timothy Brown, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Mike Fronda, Recording Engineer, StudioPersonnel - Damon R. Johnson, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

7
My Body (Album Version)
00:04:37

Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Mike Fronda, Recording Engineer, StudioPersonnel

℗ 1992 UMG Recordings, Inc.

8
Ladies, I Luv 'Em (Album Version)
00:05:23

Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Mike Fronda, Recording Engineer, StudioPersonnel - Damon R. Johnson, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

9
Baby We Can Do It (Album Version)
00:06:04

Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - Damon Johnson, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Father MC, MainArtist, ComposerLyricist - Harold Clayton, ComposerLyricist - Sigidi Abdullah, ComposerLyricist - Mike Fronda, Recording Engineer, StudioPersonnel - Damon R. Johnson, ComposerLyricist - Sigidi Abudullah, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

10
Go Natalie (Album Version)
00:03:22

Howie Tee, Producer, ComposerLyricist - Puff Daddy, Producer, Executive Producer - Andre Harrell, Producer, Executive Producer - Mike Fossenkemper, Mixer, Recording Engineer, StudioPersonnel - Father MC, MainArtist - Little Shawn, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

11
On The Road Again (Album Version)
00:03:59

Mark Morales, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Mark C. Rooney, Producer, ComposerLyricist - Damon Johnson, ComposerLyricist - TONY MASERATI, Mix Engineer, StudioPersonnel - Andre Harrell, Producer, Executive Producer - Mark Rooney, Producer, Mixer, Recording Engineer, Participant, StudioPersonnel, ComposerLyricist - Father MC, Producer, Executive Producer, MainArtist, ComposerLyricist - Mike Fronda, Recording Engineer, StudioPersonnel - Steve Lucas, Producer, Executive Producer - Damon R. Johnson, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

Albumbeschreibung

In the 21st century, rap and R&B are seriously joined at the hip. Urban contemporary singers go out of their way to feature major rappers, and even the most hardcore MCs employ R&B singers on their recordings. But it wasn't always that way. In the '80s, hip-hop encountered a great deal of resistance in R&B circles, and many hardcore rappers wanted nothing to do with R&B. Father MC did his part to change that. Like Whodini, Salt-N-Pepa, the Fresh Prince, Heavy D, and Young MC before him, Father envisioned a style of hip-hop that was commercial, unthreatening, R&B-drenched, and pop-friendly, but not lightweight or bland; arguably, his new jack swing-minded albums of the early '90s were the rap equivalent of Bobby Brown or Keith Sweat. While Close to You is hardly the work of a hip-hop purist, this 1992 release demonstrates that pop-rap can have integrity. Yes, the CD is full of urban contemporary slickness and romantic themes (as opposed to battle rhymes or hard-hitting tales of thug life in the 'hood), but Father's rapping skills are never in doubt; he flows with plenty of confidence, and his East Coast rhyming technique is consistently impressive. Close to You underscores the fact that not all pop-rap is created equal. The rhyming skills of some pop-rappers have been limited at best -- Vanilla Ice immediately comes to mind -- while the more substantial ones (Salt-N-Pepa, the Fresh Prince, Heavy D) have had no problem getting their flow on. Clearly, Father MC falls into the latter category, and his impact was enormous in the early '90s. Father's 1990 debut, Father's Day, is widely regarded as his most important and essential release, but Close to You was a solid, enjoyable follow-up for the Bronx native.

© Alex Henderson /TiVo

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